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#133 The Trouble with Being the Solution to A Big Problem

cavemanAll Rights Reserved © 2014 Thomas W. Day

Pretty much all of the major problems on today's highways are fairly obvious: according to NHTSA statistics 2012's Big Three causes for highway fatalities are 1) drunk driving 31%, 2) motorcycles, 14%, and distracted driving, 10%. Solve all three of those riddles and you have taken away 56% of US highway fatalities. What is the miracle cure for all three of these highway safety problems? You might think that's a stupid question.

"You'll never stop people from being drunks or from playing with electronic toys while they drive and nobody's ever gonna teach me how to ride or make me wear a helmet."

Actually, I know the solution to all three of those problems and so does NHTSA and DOT and all of the car manufacturers. How do you stop people from getting drunk, satisfying their cell phone addiction, playing with their makeup or shaving on the way to work, or keep them from crashing their motorcycles? Those are the wrong questions. The right questions are how do you get the first group out from behind the wheel and how do you get motorcycles off of the public's roads? Simple. You make cars that are smarter than the average driver.

That's not a particularly high bar to leap, if you think about it just a little bit. The average American driver imagines himself to be a NASCAR racer, drafting the car in front of him with less than a fraction of a second of safe margin at speeds that are best described as "terminal." From the vantage point of a motorcycle seat, where I get to see all sorts of clueless drivers, distracted to the point of unconsciousness behaviors, physics-disabled punks suffering from "the fast lane is mine" video game reality distortions, and motorcyclists and scooter pilots who have almost enough skill to get out of their own driveways uninjured but not nearly enough talent or intelligence to ride competently and safely. With typical reflexes, reacting to a hazard takes at least a second and, more likely, a couple of seconds before you've even decided what to do about a disaster unfolding in front of you at 70mph. At 70mph, you're traveling 108 feet/second. If you're tailgating at 50 feet when a wheel comes off of a truck in front of you or a blowout puts the car you were "drafting" into a spin, you are solidly entangled before you even think about applying the brakes. On a motorcycle, you're in the air wishing you'd worn a helmet before you can even touch the brake (probably the wrong one used poorly, if you do manage to slam on the brakes and toss your bike into a sliding "stop"). On average, there isn't enough driving talent on our highways to overwhelm the capabilities of a 1980's Z80 processor and a MS/DOS controlled text-based program. Mostly, the folks we're trusting our lives with on the freeways and country roads are unfit to pilot bicycles, if they could load their lard asses onto a bicycle seat without bursting the tires. With all of those facts in hand and with the motivation of "societal cost of crashes" estimated at $230 BILLION, there is more than enough incentive from all directions to do something about the solvable problems of the Big Three. The fact that the solution is likely to do some serious damage to the other 44% of highway deaths is just icing on the cake.

In TheKneeslider.com, Paul Crowe wrote an article titled "Riding Motorcycles Among the Robots - You're Going to Need A Transponder." He pipedreams, "The thought of blasting through that digital parade on your human controlled and non transponder equipped Electra Glide may no longer be an option." If only that were likely. Like most of the motorcycle industry, he avoids the question, "Why would highway planners make any accommodations for a vehicle that contributes less than 0.001% to commuter traffic but 15% of fatalities?" Do you seriously believe that Harley Davidson and Polaris have that kind of economic clout? Harley Davidson's whole product line amounted to $5.9B in 2013 sales. Polaris grossed about $4B in 2013 for all of their products combined and sold about $1B in Polaris and Indian motorcycles. Out of a $17 TRILLION GNP, that is pretty insignificant and if you include our 15% of the nation's "societal cost of crashes" that $5B is pretty overwhelmed by the $34B motorcycles crashes cost the country. Remind me, again, why should the 99% of society who don't ride motorcycles on a regular basis, or ever, care about our "right to the highway?" 

If you don't think motorcycling's awful public image, our overrepresentation in highway injury statistics, or our low tech tendencies are a long term problem, you are not paying attention. The freight train of Change is blasting down history's tracks at revolutionary speeds. We are about to go from travelling by poorly manually piloted vehicles to a managed transportation system that makes decisions on a macro level, reducing traffic congestion, optimizing resource use, providing dramatic improvements in travel safety and efficiency, and transforms society as dramatically as giving up the horse-and-buggy did about 100 years ago. The only way motorcycles are going to get to play in this new sandbox is if we provide some value to transportation. Otherwise, the industry and population of users will resemble the tiny demographic that has clung to horses and horse sports since those animals were shuffled off of public streets. The trouble with being part of the solution to one of society's big problems is that you get swept up in a whole lot of things that are a lot bigger than you (or your industry). In manufacturing a rule of thumb is "the best way to idiot-proof a system is get the idiots out of the system." We are pretty tightly aligned with many of the idiots on the highway and we're going to get swept up with the drunks and distracted drivers when our transportation system evolves. The only way I see to avoid that is for motorcycling to move away from being part of an obvious solution to highway deaths.

REVIEW: Michael Bray - The Island

Genre: Horror
Publisher: Severed Press
Publication Date: 4th October 2015
Pages: 206

REVIEWED BY CHAD

A copy of The Island was sent to Confessions of a Reviewer by the author, Michael Bray, in exchange for an honest review. This is said review. This book is published by Severed Press.

In The Island, by Michael Bray, we see a society in which reality television has become a performance platform for violence and death. The island itself is a man-made land mass on which a competition has been resurrected to air for the first time as a television series.

Contestants are set loose on the island and only one can survive to the end. Their prize? Whatever it is they desire. All they have to do is make it from one side of the island to the other.

Oh, and they have to make it through an island packed full of dinosaurs.

The main character of the story, Chase Riley, decides to take part in the newly revamped show in order to save his daughter who is suffering from terminal cancer. Against the wishes of his wife, he enters into the show, hoping that a victory will bring in the money they lacked, in order to get their daughter, the treatment she needs.

Putting all my honesty down on the table, I have to admit that I was a little dubious of the concept of this book going into it. My concern was that this was going to just end up feeling like a modern reimagining of The Running Man, but with dinosaurs as an artificial attempt to add an extra element to an already successful story. Still, I was also intrigued by the idea and was willing to give it a go.

I'm glad to say that my reservations were unfounded. I think this book is a good reminder that, regardless of the specific concept, effective writing and characters that can be related to will carry a lot of weight, even if the story has some familiar ring to it.

To start off, I think that the strongest element to this book is that of the characters. It's really easy when you have multiple characters to have trouble keeping track of everyone and they all start to blend together. Despite that challenge, I thought Bray did a really good job making sure everyone was distinct and easy to tell apart from each other. Despite the fact that some of the characters were fairly archetype-ish, I found myself interested in them and engaged in their part of the story.

I also really liked how he explored the dynamic between the characters within the context of the game itself. More specifically, the notion of people who are on one hand contestants but also still feel the urge to help each other. How do you work with and against each other at the same time? How do you deal with the fact that you might care for someone's well-being while at the same time realizing that you may be put in a position where you might have to take that person's life?

I found the pacing of the book to be great. I thought the story moved along at a nice clip and once things really got going, they don’t stop until the book ends. Bray did a great job creating a story that is engaging and that held my interest throughout.

As it is probably to be expected in a story of this type, things are not necessarily as they seem. The twists in the story are well done and are used effectively in order to move things along. There were a few points towards the end of the book where I felt like the twists were starting to stretch the limits of credibility, slightly. However, this did not prevent my ability to enjoy them and I was able to shut that part of my brain up and just watch the book unfold.

If I had one critical comment about the book, it would be that at times I thought the writing style got in the way of the flow of the narrative, somewhat. There seem to be quite a few moments where the writing is a bit dense in terms of the paragraphs being very long. There isn’t anything necessarily wrong with this practice, but I think it can make scenes less effective when there is a lot of action going on. I think it has a tendency to slow down the reader and bring down the immediacy of the narrative. In my opinion, some of the scenes could have been more powerful and effective if some of the longer paragraphs had been broken up. This is just a personal issue of my own and it’s a minor one. It didn’t interfere with my enjoyment, nor did it necessarily make the book any less engaging.

In all, I thought that in a culture that has become rife with dystopian literature, The Islanddoes a pretty good job keeping its head above the water and not feeling like ground that is being re-treaded one too many times. It is a book I enjoyed and would highly recommend.


General rating:

★★★★


Reviewed by Chad.


If you would like to help support Confessions of a Reviewer, then please consider using the links below to buy The Island or any other books from Michael. This not only supports me but also lets me know how many people actually like to buy books after reading my reviews.

Thanks.




Book Synopsis:

What if the next generation of reality show had your life as the prize?

The island is the largest manmade structure ever constructed. Within its two-hundred-foot high steel walls are savage dinosaurs created for one purpose. To hunt man. In addition, of those who are chosen to enter the island, only one can leave and claim the prize.

As television screens around the world tune in to watch, the six contestants form an uneasy alliance as they battle nightmarish beasts beyond comprehension. When a secret is uncovered which could bring down the entire Lomar Corporation, the contestants find that some men are worse than monsters, and some corporations will stop at nothing to protect that which they tried so desperately to hide.


Michael Bray is a bestselling horror / thriller author of several novels. Influenced from an early age by the suspense horror of authors such as Stephen King, Richard Laymon, Shaun Hutson, James Herbert & Brian Lumley, along with TV shows like Tales from the Crypt & The Twilight Zone, his work touches on the psychological side of horror, teasing the reader’s nerves and willing them to keep turning the pages.

Several of his titles are currently being translated into multiple languages and with options for movie and Television adaptations under negotiation for others, he will look to continue his growth as a full time professional writer long into the future.







And for more about Michael, visit his site or find him on social media:


LAST CALL FOR ALL YOU CONFESSORS!





If you follow the blog on a regular basis, (and if you don’t why the hell not?) you could not have failed to see the Confessions of my Past, Present and Future feature, where authors write a piece about what they like in books from their past, the present and the future.

If you have never seen it, then go have a look here to see what it is about.

This feature has run for over a year. It still proves to be very successful and you all seem to enjoy reading about what your favourite authors like in books.

So, I am going to keep it going. This is where you come in. I only have a few submissions left and would like more.

If you are an author and would like to take part in this feature, then please see the guidelines for it below and email me at confessionsofareviewer@gmail.com to let me know.


Also, I am throwing the floor open to ANY of you who would like to take part. Yup, that’s right, you don’t have to be a published author to send a submission in for this. If you love books and reading and always have and always will, I want to hear from you.

Again the guidelines are listed below and if you want to take part then please email me at the blog email address. The only additional thing I would ask for from non-published authors would be a short bio and possibly a picture of yourself to include in the post. If this isn’t supplied, I will just make something up for you.

Also please share this with any of your friends who may be interested, be they authors or not. I know I am not friends yet with all the cool people on Facebook and Twitter so your help in sharing this around would be appreciated.

Thanks again.

Nev.




CONFESSIONS OF MY PAST, PRESENT AND FUTURE SUBMISSION GUIDELINES

Basically it is guest posts from authors, and now non authors, “confessing” to books you loved in your past, what you love to read at the minute and what you think may come in the future.

What I’m looking for (if you want to take part of course) is a piece from you split into three sections. The “past” would be where you would talk about either a book or series of books that either inspired you to write, read more or simply blew you away for no other reason than you thought it was bloody good. This would be from way back, not just last week. Maybe something you read in your childhood or you’re first favourite horror for example. Something old.

The “present” would be about something you have read recently. Again it could be something that inspired you or just stuck in your mind for the fact that is was different in some way or again blew you away because it was just bloody good.

The “future” is slightly different. I would like you to think what you would be writing or reading in 2045. Do you think you would still be writing or reading the styles or genres? Do you think you would like to write or read something completely out of your comfort zone or completely different to your current genre? Is there some style you have always wanted to try but were too scared?

I want this to be about you. Your selection of books. Your favourites even if they were not common favourites amongst readers of the times. Books that mean something to you so forget about trends and don’t be scared to upset the cart. This will give the people who read your post a lot more insight into your individual personality.

In terms of length I would like this to be sort of standard blog length. About fifteen hundred words so if you split it three ways, about five hundred words for each section. This of course is not set in stone. Each section or indeed the entire length could be as short or as long as you would want it to be. I know that once people get writing about something you love, it can be hard to stop and I certainly wouldn’t try and stop you.

I don’t have any set time scales on this either. Whenever you feel you are happy with it, fire it over to me and I will add some pretty pictures and let you know when it will be posted.

Whenever I publish any posts in the feature I would of course be including any pictures I can for any books you would mention (hopefully someone else will mention one of yours…..yay free advertising). I will also add in a profile picture of yourself and your bio and links to your website/blog/author page or any other site you would like me to add in.

This would obviously be fantastic for the blog to have you on board if you agreed but it wouldn’t just be about the blog. If there was anything else you would want added in the post feel free to suggest or request and I would do my best to help you out. Also this would be over and above any further interviews I would hope to do with you on the site.

Thanks for taking the time to read this and I hope you will consider taking part and be able to spare some time for it.


Nev.

SHOW-OFF AND TELL #42 - Mark Cassell - The Shadow Fabric

#42 in the Show-Off and tell feature brings us, sadly, to the end of a week-long special about its author. Tonight’s book is The Shadow Fabric by Mark Cassell.

I have mentioned a couple of times this week how much of an approachable, decent fella Mark Cassell is. I hope that throughout this week you have picked that up as well and also that you will go pick up some of his books and give him the support he deserves.

If you decide to go and buy this weeks featured book, The Shadow Fabric, this post will give you an idea of what you will have in your hands.

The cover alone gives you an idea of the mysterious happenings on the inside of the pages and indeed, if you meet Mr Cassell at a con, you will be able to see the hourglass in person.

This is my copy:




This was the first ever book I bought at a con so even though Mr Cassell may not know it, this book holds a special place on my shelf. To be able to pick a book up directly from the author and get it signed while you are there is a wonderful feeling for anyone who wants to start their own collection of signed stuff. I can highly recommend it!




You can buy The Shadow Fabric here:




You can but any of Mark’s other books here:




Mark Cassell lives in a rural part of the UK with his wife and a number of animals. He often dreams of dystopian futures, peculiar creatures, and flitting shadows. Primarily a horror writer, his steampunk, dark fantasy, and SF stories have featured in numerous anthologies and ezines including Rayne Hall's Ten Tales series and horror zine, Sirens Call.

His best-selling debut novel, The Shadow Fabric, is closely followed by the popular short story collection, Sinister Stitches, and are both only a fraction of an expanding mythos. His most recent release, Chaos Halo 1.0: Alpha Beta Gamma Kill, is in association with Future Chronicles Photography.

And for more about Mark, visit his site or find him on social media:

Website – Facebook – Twitter – Goodreads – Amazon Page - Blog


REVIEW: Mark Cassell - The Shadow Fabric

Genre: Horror
Publisher: Herbs House
Publication Date: 18th October 2014
Pages: 340

REVIEWED BY NEV

The Shadow Fabric is Mark Cassell’s first novel. This book is published by Herbs House.

This book pops a couple of Confessions cherries tonight. Firstly, it is Mark Cassell’s first time being reviewed on Confessions.

Today he becomes a man.

Also this is the first ever book that I bought at a con. I met Mark at Emcon in Nottingham and to be honest I had no intentions of buying any books at that stage, but he impressed me so much with his enthusiasm that I bought them all. And stole a few bookmarks. And sweets.

This is another one that sat on the pile for a while because it wasn’t a direct submission for review. I was struggling to decide which one to read next instead of following the normal strict list. When this one caught my eye, I thought I would give it a go.

This is what I thought.

Leo is confused. He has had a troubling life. The problem is he can’t remember any of it bar the last couple of years. He has just returned from a years traveling around the world and his guardian of sorts, Goodwin, has a job for him. He wants him to go work for his friend Victor as a chauffeur.

Leo soon discovers that chauffeuring will not be the only job he will be doing for Victor. On his second day he witnesses a murder. On his third day he witnesses much, much worse.

What follows, is a race against time. A race against evil. A race against unknown forces. A race against The Shadow Fabric.

This is a race that no one can afford to lose.

In terms of our characters we have a colourful and varied selection. Leo is obviously the main man in this story. He is mysterious and confused. He has no idea of his past and the only person who seems to know about it, Goodwin, isn’t giving anything away. Goodwin himself seems to be the quintessential English gentleman looking out for Leo. A sort of rich guardian who doesn’t need to be doing what he is but does it anyway.

Victor is seemingly a man of wealth as well. He doesn’t seem to want for much but it is clear from the outset that he is searching for something. This is what causes his problems. Stanley is Victor’s brother. The nasty side of the family. We don’t learn too much about him early on but he seems to be one to avoid. Polly is the last one of the group. Polly is blind. She has a helper who looks after her permanently but again seems to stick to the side-lines.

This group, apart from Leo, have known each other for years. They have secrets they are keeping from Leo. They also have secrets they are keeping from each other.

As far as characters go, these ones are all great. You don’t get a lot of back story with them which I love. Especially Leo, because he hasn’t even got a clue about himself. The character’s individual stories all become clearer as the story progresses, but again without overload.

In terms of the plot, this is one of my favourite styles of story. An ancient evil is making a comeback. Some people know a bit about it but not everything. They need to figure things out as they go. There are a lot of secrets and a lot of twists and turns that I, for one, didn’t see coming.

It isn’t a straight horror story. It is very much in the mystery / thriller vain with a lot of horror thrown in. Sort of like Dan Brown but good. And scary. Don’t be fooled by what I’m telling you though. This isn’t done in the Spielberg or Disney styles of those films you could watch on a Saturday afternoon with your two-year-old. This is dark, dark stuff. This is the stuff of nightmares. The sort of thing that a bit of me always wants to believe is happening somewhere in the world but we just never get to hear about it.

So what was the writing like? Well, one thing that struck me throughout this book is intelligence. It’s more literary in the sense that I reckon people who live and breathe extreme horror may not take to this one. It isn’t all blood and guts and gory gratuitous murder and mayhem. It’s extremely well thought out. It’s extremely well put together, to weave a wonderful story that genuinely mesmerised me in parts due to the beautiful descriptive narrative, that gives you a true impression of what particular scenes must look like.

Mark Cassell has a very creative imagination. That is clear from very early in this story. Although the plot theme is something that has been done many times before, I haven’t seen it done like this. I am trying to think of someone or a book to compare it with and I can’t. That must speak for itself.

I have a complaint though. For me, it lacked a bit on the horror side. The true scary bits. The bits that make you read with one eye closed or make you close it for a while because you don’t want to read what happens next. It’s the sort of story that you get the feeling from the beginning that the good guys are all going to ride off into the sunset, smoking big cigars and drinking tequila. They don’t by the way. Or do they? You have to read it to find out.

One thing is for sure. I will definitely be reading more of Mark Cassell. His writing is extremely good. The way his words flow should put many other authors to shame and to be honest, there are a few who should read this book to see exactly how intelligent writing is done. I think they will pick up some valuable tips.

To summarise: a mysterious and thrilling tale of modern day misfits chasing an ancient evil to save themselves, and mankind. A bit light on the horror for me but definitely worth a read to sample some very intelligent writing.


General rating:

★★★★ practically perfect.

Horror rating:

★★★.5 just needed more scares for me.


If you would like to help support Confessions of a Reviewer, then please consider using the links below to buy The Shadow Fabric or any other books from Mark. This not only supports me but also lets me know how many people actually like to buy books after reading my reviews.

Thanks.




Book Synopsis:

Leo remembers little of his past. Desperate for a new life, he snatches up the first job to come along. On his second day, he witnesses a murder, and the Shadow Fabric – a malevolent force that controls the darkness – takes the body and vanishes with it. Uncovering secrets long hidden from humankind, Leo’s memory unravels. Not only haunted by the past, a sinister presence within the darkness threatens his existence and he soon doubts everything and everyone...including himself.

Now Leo must confront the truth about his past before he can embrace his future. But the future may not exist.

THE SHADOW FABRIC is a story revealing the unknown history of witchcraft and the true cause of the Great Fire of London. A supernatural horror novel of sins, shadows, and the reanimated dead.


Mark Cassell lives in a rural part of the UK with his wife and a number of animals. He often dreams of dystopian futures, peculiar creatures, and flitting shadows. Primarily a horror writer, his steampunk, dark fantasy, and SF stories have featured in numerous anthologies and ezines including Rayne Hall's Ten Tales series and horror zine, Sirens Call.

His best-selling debut novel, The Shadow Fabric, is closely followed by the popular short story collection, Sinister Stitches, and are both only a fraction of an expanding mythos. His most recent release, Chaos Halo 1.0: Alpha Beta Gamma Kill, is in association with Future Chronicles Photography.

And for more about Mark, visit his site or find him on social media:

Website – Facebook – Twitter – Goodreads – Amazon Page - Blog


INTERVIEW: MARK CASSELL - PART TWO

Welcome back to Part Two of Confessions interview with Mark Cassell.
In tonight’s session, Mark tells us all about his book The Shadow Fabric and takes on The Ten Confessions.

It’s only Tuesday but go grab some pizza and a beer, sit back, and mostly……enjoy!




CoaR - Moving on to The Shadow Fabric, what is that all about? What did you want to achieve with it?

MC - It's a tale of a sentient darkness, of 17th-century devices, and deceit among old friends, following one man's struggle to unravel his past. I wanted to write a book that I needed to read. Having been bored to death of vampires and werewolves, of zombies and goblins, I had to devise a new evil and so I created the Shadow Fabric.

I've never read a book that strips down witchcraft and demonology and turned it on its head, so I wrote it myself. Not once did I expect it to expand into the mythos it's become, and I still get demands for more stories.


CoaR - It is very dark. Is this the sort of horror you like to read and write rather than say, the out and out blood and guts?

MC - Yep, I've never been one for gore and graphic violence, not mankind's horror. We're reminded of that too often when switching on the news. I prefer the supernatural or even alien horror, the stuff that's on the other side of what we believe is real. It's my escape from reality.


CoaR - Without giving anything away of the story, it is not really the sort of theme that you can research too much. Does this make it harder or easier to write?

MC - It makes it so damn difficult. Tearing apart the fact and fiction we've all grown up with takes time to develop, building the foundations for a whole new mythos. With demonology and witchcraft there's a certain amount of grounding, but it takes many drafts to make a new angle actually work. Even some of the short stories in the mythos have taken a ridiculous amount of drafts to perfect.


CoaR - I know from reading your site that you have more plans for the Shadow Fabric Mythos.Will this mean more novels? Even a series?

MC - I am currently scribbling notes for a sequel and a prequel, yes, and the mythos will certainly continue as a series. However, each novel or novella will be a standalone story.




CoaR - What is it about prequels? Why not just write it first?

MC - From what I've discovered about storytelling, it's the background that matters. When fleshing out a novel, especially when dealing with something as complex as this particular sentient darkness, a writer needs to know not only what is happening, but also the how and why of it.

Having filled a couple of notebooks with scribbles, be they random sentences or entire scenes that lost a place in the novel, they can all be used somewhere else. Whether in a prequel or sequel.

I know precisely what you mean about prequels though, and of course the Star Wars saga is recognised for that. Actually for me, it was a fan (I'll give him a shout here: Mark Green, hi!) who came to my table at a convention. He mentioned two characters from The Shadow Fabric, asking of their hostility and history. I'll answer him soon.


CoaR - Where in the hell did you come up with the scenes for this? It is very involved and imaginative.

MC - I laid out plans from the very start, knowing the beginning and end, and wanted to avoid every cliché there was. It took time. Some scenes were lifted straight from dreams whereas others took a great deal of shaping. For instance, I needed to develop a device with which to stitch the Shadow Fabric, and even after creating a 17th-century hourglass complete with wrist harness, I still had the issue of bringing it into the 21st century.

When it came to precisely how the stitching occurs, that's when I truly had fun.


CoaR - So none of this is taken from anything similar in legends or folklore? This is all out of your imagination?

MC - Entirely from my noodle, yes. I think that's why it took so damn long to lay down the groundwork. I think I scribbled and scrawled more than I ended up typing, no joke.

I didn't realise it at first but as the plot evolved, it was necessary to reshape witchcraft and demonology into something more than a standalone novel.




CoaR - Naming your lead character Leo – was this paying tribute to your hero Leo Sayer?

MC - Dammit, man! Ha! No, Leo was actually named after a cat we once had.

The poor guy was killed out on a main road. He was my little buddy, and was in fact one of the black cats mentioned in the dedication.


CoaR - Was Leo the cat named after Leo Sayer?

MC - Haha! No. No, he wasn't. He was Leo long before I met him.


CoaR - What do you like to do when you’re not writing?

MC - I'm a gym-goer, and love cooking. I aim to be healthy inside and out.  Also, I'll admit to being a tree-hugger at heart. I love the outdoors, hiking, etc. In fact, my wife and I just got back from Madeira; beautiful walks through the mountains with our heads in the clouds. That's pretty much what we’re about.

Our honeymoon was the Inca Trail up to Machu Picchu, incidentally.


CoaR - Have you ever been to China? Walked the Great Wall? I was there once and could swear I saw someone like you there. Thought that was where I recognised you from.

MC - Perhaps it was my evil twin.

Closest place to China I've visited is Hong Kong, and it is more British than Chinese. Given the roads and signposts are the same as here, it was surreal to see such familiar markings beneath looming skyscrapers supported by bamboo scaffold. Fantastic vibe though, don't get me wrong. The atmosphere there was incredible. As for the Great Wall, that's a walk I intend to one day dirty my boots with.


CoaR - What’s coming in the future from Mark Cassell?

MC - I'm working on a bunch of horror stories based along the south coast. As for a longer project: I'm in the process of writing a novella—the prequel I mentioned earlier—that features the history of Lucas and Victor, two characters you may recognise from The Shadow Fabric novel. It'll be based in the 80’s when they both were younger. The way it's evolving, think Indiana Jones meets The Grudge.





THE TEN CONFESSIONS


1 Who would you view as your main competitor in the writing world?

This is something I have never thought of. There's so many of us out there. So I guess I'm still trying to find the fucker.


2 What book or author have you read that you think should never have been published?

G.P. Taylor's debut novel, Shadowmancer. It's terrible. I hated it so much yet still read it to the end because I was determined to understand how and why I felt this way. Reading the reviews, I saw I'm not alone.


3 Are any of the things your characters have experienced in your books been based on something that has actually happened to you? What was it?

As mentioned earlier, the main character of The Shadow Fabric has a knee injury, and the book opens with him returning from travelling the world. He also wears combats. His attitude and mannerisms reflect mine, too. He is me.

CoaR - Does he owe people money too?

Maybe that'll pop up in a prequel. Just for you, Nev.


4 Have you ever blatantly stolen an idea or scene and adapted it for one of your own books? If so, care to share?

No blatant rip-off, but one scene from a Dean Koontz novel has stuck with me for years. That man tricked me with a very clever twist, a subtle warp of perception that worked beautifully. I loved it so much that I wrote a short story with that in mind. It's completely different yet the surprise factor—I hope—has a similar impact. In fact, this particular story of mine will soon be published in an upcoming anthology.


5 Have you ever anonymously left a bad review for someone else’s book? If so, care to share?

Nope, never. Even G.P. Taylor's book remains untainted by my hatred.


6 What’s the one thing you are least proud of doing in your life and why?

Allowing people to walk over me. Back when I was employed, working in supermarket retail and then the print industry, I let management and salesman, and even customers, take me for a proper ride. I wish I'd had the backbone to tell them to fuck off.

We live, we learn. And now I can write each and every one of them into a story.


7 What’s the one thing you are MOST proud of doing in your life and why?

My round-the-world travels saw me bungee jump in New Zealand. Against all reasoning and if only to prove to myself that I could (temporarily) overcome my fear of heights, I set out to DO IT the moment I landed in that country.

There I stood, on the edge of a wooden platform looking out over a ravine and wondering just what in hell I was playing at. Then I stepped off. A freefall combined with fear, stomach knotted, cool wind rushing past my ears…and bounce, bounce, bounce. Awesome.


8 What’s your biggest fault?

I take on far too many projects and get distracted far too easily. I tackle many short stories at once and also jump between several larger projects, often leaping from genre to genre. My DIY projects are the same, and even day-to-day stuff is just as messy.

I'd be in one room, doing one thing, get distracted and start something else, then drift into another room and do exactly the same thing. Eventually, there'd be drawers and cupboards open, stuff on the bed or on the desk, things piled on the sofa waiting for my attention…all the while the fridge door remains wide, begging me to grab the milk to make that tea.

But…oh! I didn’t even put the kettle on. Plus, I would've been needing a pee for at least half an hour and now busting.


9 What is your biggest fear?

Can you guess? Please see Number 7: Heights. The older I get, the more that leg-tugging, stomach-churning moment steals my reasoning when looking over an edge.

I seriously doubt I'll ever bungee jump again.


10 If you had to go to confession now, what would be the one thing you would need to get off your chest?

Back when I was a kid, at a friend's house, I wondered how it would sound if I smacked his little brother over the head with a cricket bat. A disappointing sound, if I recall.

Am I sorry now? Not sure. Though I am sorry that I can't remember the sound in detail. Could've used it in a story.

Howzatt!




Well boo hiss but that’s your lot for the interview.

I want to personally thank Mark for giving up his valuable time to take part in this interview. He has been an absolute gentleman throughout this whole process and it has been a pleasure to get to know him over this past few weeks.

This one has been pretty involved with a lot of toing and froing and I thank him for his patience.

Please remember to come back tomorrow night for the Confessions review of The Shadow Fabric and I will include all the links you need to go and buy this little wonderful story.

Thanks again for visiting Confessions of a Reviewer!


Mark Cassell lives in a rural part of the UK with his wife and a number of animals. He often dreams of dystopian futures, peculiar creatures, and flitting shadows. Primarily a horror writer, his steampunk, dark fantasy, and SF stories have featured in numerous anthologies and ezines including Rayne Hall's Ten Tales series and horror zine, Sirens Call.

His best-selling debut novel, The Shadow Fabric, is closely followed by the popular short story collection, Sinister Stitches, and are both only a fraction of an expanding mythos. His most recent release, Chaos Halo 1.0: Alpha Beta Gamma Kill, is in association with Future Chronicles Photography.

And for more about Mark, visit his site or find him on social media:

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