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Tampilkan postingan dengan label Mercedes M. Yardley. Tampilkan semua postingan

REVIEW: Mercedes M. Yardley - Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love

Genre: Horror
Publisher: Crystal Lake Publishing
Publication Date: 4th March 2016
Pages: 121

REVIEWED BY CHAD

A copy of Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love by Mercedes M. Yardley was sent to Confessions of a Reviewer by the publisher, Crystal Lake Publishing, in exchange for an honest review. This is said review.

Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love by Mercedes M. Yardley is a fun take on several different genres and manages to take brush strokes from each in a brilliant effort to create a new, uniquely molded book.

The book has two main characters. As the story opens, Montessa is on her way home from work when she is fallen upon and abducted by serial killer, Lu. He figures out very quickly that Montessa isn’t like any other women he has killed before. She is captivating to him and surprisingly, as the story shifts over to Montessa’s point of view, we find that she is becoming just as taken with Lu. In each other, Montessa and Lu discover the holes in their lives they had never realized were there in the first place.

Soon, Montessa no longer travels along with Lu as his victim, but rather as his partner and his lover.

To start, there have been plenty of stories that deal with the situation where a seemingly innocent victim is lured in by the guile of their would-be killer or kidnapper and ends up becoming a part of that world, fundamentally changing themselves into the monster they had thought they were fleeing from. It isn’t what I would call un-trodden ground but in Yardley’s capable hands, the book doesn’t have even the most remote feelings of seeming stale or overdone. I think that fundamentally, there are two different types of stories. In the first, you settle down into the book, saying to yourself, “okay, I’m reading a western”.
These are the books that fit into a certain convention of expectations and tradition.

The second type are the stories that feel like genres unto themselves. It doesn’t happen as often and it doesn’t always work. But in this case, I thought that it worked very well. There were moments where I might have been reminded of other stories or films or shows I had seen before but for the most part, this felt like a fully organic, original endeavor.

I think that one of my favorite aspects of this book is how Yardley chronicles Montessa’s journey in terms of how she feels about Lu from the start and how that progresses. Any author can tell you that a character feels or thinks a certain way but it’s another thing entirely to take the reader to the point of actually understanding what they are seeing. It is to the point where I found myself saying, well of course this is what Montessa is doing, that makes total sense. What else would she do?

Both of the characters in this book are woven extremely well and there is a strong sense of them being individually defined while at the same time pieces of the same puzzle. And woven into their characters is the existence of a magic of sorts, something that makes the both of them unique. I loved that Yardley resisted the urge to rush in and over-explain everything in the story. Sometimes one of the most difficult things as a writer is to sit back and just let things be what they are, without giving narrative justification. Why does magic exist in the universe of this story? Because it does. How is it that Montessa and Lu have their unique abilities? I’m not really sure, they just have them. I don’t think the story suffers from a lack of explanation and I also don’t think it would be enhanced by adding more backstory. It’s the perfect situation as a writer that we all strive for.

If I had one minor issue with the story, I think it would be in how quickly Montessa and Lu’s language towards each other becomes a sort of lovers’ shorthand. The flowery nicknames for each other you would expect to hear from the characters deeply in love with each other. As the book moved on and their bond intensified, it felt more natural but as early as it started, it felt a little forced to me. But as I said, this is just one extremely minor point, in no way did it take anything away from the story.

I enjoyed this a great deal. It was the first of Yardley’s work I have read and I am definitely looking forward to reading more.


General rating:

★★★★★


If you would like to help support Confessions of a Reviewer, then please consider using the links below to buy Apocalyptic Montessa or any other books from Mercedes. This not only supports me but also lets me know how many people actually like to buy books after reading my reviews.

Thanks.




Book Synopsis:

Streetwise Romeo and Juliet meets Stephen King’s Firestarter.

HER MAMA ALWAYS SAID SHE WAS SPECIAL.

HIS DADDY CALLED HIM A DEMON.

BUT EVEN MONSTERS CAN FALL IN LOVE.

Montessa Tovar is walking home alone when she is abducted by Lu, a serial killer with unusual talents and a grudge against the world. But in time, the victim becomes the executioner as ‘Aplocalyptic’ Montessa and her doomed ‘Nuclear’ Lulu crisscross the country in a bloody firestorm of revenge.


CONFESSIONS REVIEWS MERCEDES M. YARDLEY



Hi. I’m Mercedes. I have two broken laptops, three kids, a husband and no time to write, although I try my very best. I like to write stories. I like to write poems. I like to write essays and sometimes they’re funny, sometimes they aren’t.

I know how to throw a tomahawk and I wear red corduroys because they make me happy. That’s also why I write: I like being happy.

And for about Mercedes, visit her site or find her on social media:

Website – Facebook – Twitter – Goodreads – Amazon Page

REVIEW: Mercedes M. Yardley - Pretty Little Dead Girls: A Novel of Murder and Whimsy

Genre: Horror
Publisher: Crystal Lake Publishing
Publication Date: 4th March 2016
Pages: 280

REVIEWED BY ALEX

A copy of Pretty Little Dead Things was sent to Confessions of a Reviewer by the publishers, Crystal Lake Publishing, in return for an honest review. This is said review.

In writing book reviews, I have made a solemn vow to never give any spoilers. No plot reveals or important, hidden character traits that drive the story. I rarely check out book reviews myself for the simple reason that I want to read the story myself and be surprised. I will, however, tell you my thoughts on the book and how it made me feel. I will discuss the writing style and do my best to persuade you to read it if I feel it’s worthy of such praise. If not, I won’t harp on the negative aspects to try and belittle the author as is done in social media too often these days...

The particular book I am discussing here, this singular experience of comforting horror unfolded with each word in an agonizing beauty of anticipation. From the first sentence of Pretty Little Dead Girls, Mercedes M Yardley announced the story would be painful. In a handful of perfectly chosen words, she announced plainly how scorchingly sad the pages ahead were going to be. In order to prepare myself, I read and re-read the first line over and again for two days before continuing on into the rest of the book. What I wasn’t, what I couldn’t be prepared for, was how densely gorgeous her writing was.

Yardley tells you what to expect. She paints with a vibrant brush coating the words with lush colorful language. Her consistency throughout the entire book is breath-taking. It is remarkable to create such a unique stylistic tactic in and of itself, but that Yardley never once veers away from her technique brought me to tears on many occasions. I sat on the couch, my cheeks red and puffy, wiping the wetness on my forearms sleeved or not.

“Dad,” my son said. “Why are you crying?”

“It’s this book.” I held up the tablet and showed him the screen.

“Don’t read it anymore.” He snatched it from my hand. “I don’t want you to be sad.”

“It’s okay.” I laughed. “I’m not sad. The story is so beautiful.”

Too young to understand, he begrudgingly handed me back the Kindle Fire. This time he sat next to me while I read to make sure I was okay. What can I say? He’s a good egg, this kid.

From the first sentence of Pretty Little Dead Girls, you know something bad is going to happen. This is not a spoiler. It’s in the book itself. You know it will. It is mentioned quite often in fact. And yes, bad things do indeed happen. Some intensely terrible events that you’ll need to brace yourself for.

Make no mistake, this is a dark and deadly world between the covers. Inside, the darkness blossoms a romance that I wager is more beautiful than any Harlequin Trade Paperback you’ll find. With incredible skill, Yardley keeps the nuance in her turns of phrase without becoming heavy handed. A lesser writer could easily fall into such traps losing the dreamlike hypnotism.

Each time I stepped away from the book and returned to normal life, I’d find myself eagerly wishing to drop what I was doing and escape back into the story and its magnificent wordplay. If you can’t tell, I love to read. I always have several books going at once. But there are times, however rare, when my eyes refuse to focus on any book save one. Pretty Little Dead Girls was most definitely one of those times.

I had heard the name Mercedes M Yardley before. I regret not having picked up one of her books before. I am thrilled by the possibilities of what wonders are in store for me in her previous work. And I am more than envious of you with the opportunity to read Pretty Little Dead Things for the first time. Be warned, bad things will happen. Beautiful bad things.


Alex's rating:

★★★★★


Reviewed by Alex Kimmell.


If you would like to help support Confessions of a Reviewer, then please consider using the links below to buy Pretty Little Dead Girls or any other books from Mercedes. This not only supports us but also lets us know how many people actually like to buy books after reading our reviews.

Thanks.




Book Synopsis:

BRYONY ADAMS IS DESTINED TO BE MURDERED, but fortunately Fate has terrible marksmanship. In order to survive, she must run as far and as fast as she can. After arriving in Seattle, Bryony befriends a tortured musician, a market fish-thrower, and a starry-eyed hero who is secretly a serial killer bent on fulfilling Bryony’s dark destiny.

Mercedes M. Yardley’s Pretty Little Dead Girls: A Novel of Murder and Whimsy is a dark, lovely fairy tale with lyrical language and a high body count. It features a cover by Hugo Award Winner GALEN DARA.


Hi. I’m Mercedes. I have two broken laptops, three kids, a husband and no time to write, although I try my very best. I like to write stories. I like to write poems. I like to write essays and sometimes they’re funny, sometimes they aren’t.

I know how to throw a tomahawk and I wear red corduroys because they make me happy. That’s also why I write: I like being happy.

And for about Mercedes, visit her site or find her on social media: